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Also I would add as food for thought I think LCDs. March 29th, , PM Tim Kolb. Tim you are right about the prohibitive cost of a true i professional crt versus an LCD but I think you will agree that going from yuv to rgb is fairly accurate and it beats the heck out of doing it on a computer monitor that is scaled down. I'm not ready to edit in it yet. I never considered using VHS for production either.
You do gain a size difference vs. As far as RT goes RT everything is great unless "everything" doesn't include the capabilities that I need. They are fantastic and exactly what Edius needed to work with all those layers of RT that it can do and they are what I wanted Canopus to add to the RT feature set that worked inside Premiere once upon a time Far less than Edius If we restrict the discussion to what is RT, then we aren't evaluating anything as an editing tool.
If the only thing anyone wants to know is what is fastest However, I don't get paid to play pictures back instantly, I get paid to make a program work to the best of my abilities. At that point you have to balance out all the factors associated with speed. I happen to be editing some CineForm HD footage tonight on my laptop. I think that is fast as I don't have to sit in my office and do this I can go home and see my kids. The NX card, which requires dual processors to run Canopus HQ doesn't work with a laptop, so I guess this is faster for me.
Again, if the thread is only about RT However, the thread evolved to where we're talking about what each system can do as far as editing, and then there are factors that shift back and forth. It can't be color correction because I don't think you are relying on rgb and that is all I know of besides transitions Now there is a place I hope canopus goes and that is developing the Ppro plugin further What I've been saying is that RGB works So, what exactly are you gaining besides sheer size?
I think an NX plugin for PPro is a great idea It may be an uphill marketing battle There was a stage when I tried to edit some SD video using the PC instead of a monitor and when I eventually tried it on a TV the colors were blown right out ie highlights blown out and sometimes taking on a color cast as well.
Andrew Hall. March 30th, , PM Tim Kolb. The point I was attempting to make, then it got pretty lost in the discussion is that that same external monitor that you learned you needed with SD video, is the exact principle that most users on this forum are referring to when they say they need an external monitor. That would've been RGB just like the display that you eventualy determined wasn't accurate Therefore my point was why is an exernal monitor so important to these people if all they're going to do is put an RGB LCD panel on it anyway?
I use the desktop overlay to do a lot of editing and the nice thing is that PPro has a waveform and vectorscope built in so I can see if I'm creating a problem with color, but I still often need to tweak on a television monitor if it will be shown on a normal television As I said in a private email to someone in the thread I never said RGB was necessarily unacceptable for viewing I ask why? It's just hard to make a solid case for an external RGB monitor being vastly different than the desktop monitor as far as color rendition is concerned.
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